Conversations

The pieces in my series, “Conversation”, capture the fleeting dialog between clouds and waves at twilight, where reflected color and mirrored forms reveal a quiet exchange of light and motion. The rectilinear forms suggest a desire to capture the moment as it slips away toward night.

These art quilts are composed of hand-dyed white cotton fabric. I used arashi shibori dying techniques with fiber reactive dyes to achieve the rippled designs, sometimes over dying 2 or 3 times to apply several colors. Various sections are raw-edge appliqued in an overlapping pattern, layered with cotton batting and backing, and machine free-motion quilted.

Above: “Conversation I”, 45″x26″

Conversation II, 11″x14″
Conversation III, 11″x14″
Conversation IV, 11″x14″

Growth, Clarity, Connection

Clarity. Hand dyed cotton, silk organza, ink wash, machine piecing, raw edge applique, cotton batting, free-motion machine quilting. 30″w x 48″h

A triptych emerged from my participation in an excellent class at the Kalamazoo Institute of Arts called The Pursuit of Growth.

Growth, for me, is often inward — taking root in deeper layers of understanding. Clarity became my guiding aim for the semester, as I sought a sharper vision of my artistic path in this new chapter of retirement. And connection — strengthening bonds within this vibrant community of artists — proved to be both an unexpected gift and an ongoing source of inspiration.

Growth, clarity and connection are nuanced, layered, and sometimes fragile concepts – fitting subjects for fiber. I dyed cotton fabric with fiber-reactive dyes, using an ultra-low water technique to achieve fluid and organic textures. The foundation of each piece is comprised of a different classic quilt block, a nod to my origin as a quilter. I chose silk organza for its transparency and fray to represent the delicate nature of each idea. I added dimension with ink wash and quilted the layers using a free-motion thread drawing technique.

Growth, Clarity, Connection triptych on display at Ninth Wave Studio September 2025

Hand dyed cotton, silk organza, ink wash, machine piecing, raw edge applique, cotton batting, free-motion machine quilting. Each section measures 30″w x 48″h

You are Here

This whole-cloth art quilt is made of hand-dyed cotton fabric, embroidered by hand with perle cotton thread. It reflects my sometimes dark, always shifting journey through the early months of the COVID pandemic in 2020-21.

31″h x 21″w
NFS

Spiral Goddess

Spiral Goddess, 2018

This art cloth was created in reponse to a call for entry. I was honored to have it selected for inclusion in the special exhibit, Power of Women, curated by Jamie Fingal and Jane Dunnewold for the 2018 International Quilt Festival in Houston.

This piece celebrates the divine feminine by drawing from the ancient pagan symbol of the spiral goddess. The spiral represents the creative power within and the cycles of life and nature. The vibrant color palette and luminous silk material provide warmth and life energy to the composition.

Whole cloth 5mm silk habotai, resist painted in the serti method using Jacquard Green Label silk dyes. 24″ x 96″

Detail, Sprial Goddess
There she is hanging in the Power of Women exhibit! Photo credit: Jamie Fingal.

Wild Weather

“Wild Weather”, 2018

In reaction to the Bomb Cyclone of January 2018 that paralyzed much of the US east coast for days.

Whole cloth cotton, snow dyed with procion fiver reactive dyes, machine quilted with additional hand embroidery. 12″ x 12″

Snow Day Snow Dye!

We had a snow day today, so I used the unexpected bonus time and bonus snow to do some snow-dyeing.

IMG_2761

Step 1: soak cotton fabric in soda-ash solution, crumple up and place on drainage rack in plastic tub.

IMG_2762 (Edited)

Step 2: cover with several inches of fresh snow

IMG_2764 (Edited)

Step 3: sprinkle fiber-reactive dye powder on snow. I use Procion MX.

IMG_2770 (Edited)

Step 4: Cover and wait 24 hours.

IMG_2771 (Edited)

Step 5: uncover and be amazed.  Rinse in cold water until water runs clear. Wash with synthrapol and dry.

IMG_2773 (Edited)

Step 6: press and be even more amazed.

IMG_2775IMG_2774IMG_2782

Into the Blue

I got to play with silk dyes this week! So much fun now that I have a proper frame for stretching my silk. Hubby built me a simple frame out of 1×4’s with a 14″ x 72″ opening. I tack damp silk in the opening, and I have a perfectly stretched canvas for silk painting.

silk scarf with glue resist

silk scarf pinned to frame

First, I used a favorite serti-resist method, with Elmer’s washable school glue. I drew lines and shapes with the glue directly onto the silk.

silk scarf with glue resist

silk scarf with glue resist

After the glue was dry, I painted the spaces within the glue lines with Jacquard Green Label silk dyes. I love these dyes because they can be mixed and lightened with the addition of water.

I also like the way they react to rock salt and rubbing alcohol to add texture to the surface.

After letting the dye dry for 24 hours, I set the dye by steaming the scarf. I don’t have any special apparatus for this. I roll the scarf in blank newsprint and place it on a rack in my canning kettle above boiling water for 30 minutes.

The glue can be rinsed out of the silk with a mild detergent (I use Woolite) and some mild scrubbing with an old soft toothbrush. It helps to let the scarf soak before scrubbing.

glue-serti dyed silk scarf

glue-serti dyed silk scarf

Loving my new frame and too impatient to wait for glue to dry again, I dyed the next couple of scarves without a resist.

These scarves were painted without a resist

These scarves were painted without a resist

For this one, I painted arcs of varying shades of blue and green. Then I sprinkled rock salt over the wet dye to pull the dye and form the interesting concentrations of dye.

IMG_0816c

Freehand painting, with rock salt effects

For this scarf, I relied on rubbing alcohol to help disperse the dye and form rings. For each ring, I dropped a 50% alcohol/water mix onto the silk, and then painted a circle around the drop. This kept the dye from filling in the circle. I covered the silk with circles in this manner and them the dye dry completely before adding another layer, then another, then another.

IMG_0815c

Freehand painting, with rubbing alcohol effects

So many beautiful scarves, so few days to wear them!

Whorl

(noun \ˈhwȯr(-ə)l, ˈwȯr(-ə)l, ˈ(h)wər(-ə)l\) something that whirls, coils, or spirals or whose form suggests such movement.

This small art quilt started as an exploration of texture. As many of my pieces, it was prompted by a monthly challenge from my Art Quilt Group.

I first hand-dyed a length of fine china silk, then started tucking and gathering with matching thread. I didn’t have any plan for the final outcome; it evolved organically into the nautilus shape. The silk was backed by a double layer of cotton batting, then embellished with glass beads and my favorite variegated silk embroidery floss. Finally, I finished the edges in the naturally irregular shape it had become, and mounted it on a crisp-cornered pillowcase-finished eggplant Kona cotton base.

Bonus! See this piece, three others of mine, and many other fine works by my Art Quilt Group at the June 2016 Art Hop at Ninth Wave Studio in Kalamazoo. June 3, 2016 5pm-8pm.

Synapses

"Synapse" 20"x30" hand-painted silk, hand embroidered and beaded.

“Synapse” 20″x30″ hand-painted silk, hand embroidered and beaded.


 

IMG_0505c

“Synapse” detail

The challenge was to create an art quilt depicting “connections.”

My response is entitled “Synapse.”

This is a wholecloth quilt. I used Jaquard Green Label silk dyes with the serti resist method to paint this 20″ by 30″ piece of china silk. I machine quilted along the cell walls and dendrites. I embellished by hand with silk floss and glass beads.

"Synapse," detail

“Synapse” detail

The brain has trillions of synapses.

At synapses, neurons release neurotransmitters that are picked up by their neighbors, carrying signals from cell to cell. These signals form memories and thoughts. The long, branchlike projections of brain cells are called axons and dendrites. These projections carry synaptic messages, integrating all the information a cell receives.

Intelligence is dictated by a brain’s underlying organization and molecular activity at its synapses.

Damage to dendrites is associated with depression and despair.

Alzheimer’s disease disrupts both the way electrical charges travel within cells and the activity of neurotransmitters between cells.